This week at the New Directors/New Films
festival, there was a streaming of the Danish drama “Giraffe”.
Synopsis
When a major construction project causes two of its workers
to meet, can they maintain a relationship for the duration of the assignment?
Story
After years of talking and planning, the Danish government
is finally undertaking their long-rumored venture of building a tunnel that
will connect the island of Lolland to Germany in order to create more jobs and further
set up the island for future economic growth.
But there is a downside to this scheme that isn’t at all trivial: due to eminent domain, a great many of the
small island’s residents will be permanently displaced – a number of them
elderly people who have been living in the same home for decades.
Due to this major endeavor, the government has assigned many
workers to this island on the south of Denmark – among them is Dara (Lisa Loven
Kongsli), a 38-year-old ethnologist whose job it is to document the culture and
people of Lolland for archival and historic purposes. She begins to interview many a great many
motley soon-to-be former residents of Lolland – these include a farmer, whose
business is disrupted; a young couple who look upon this forced move as a
blessing in disguise; and senior citizens who are distraught about leaving a
home where they’ve raised a family.
Another worker is Lucek (Jakub Gierszal), a 24 year old
laborer from Poland whose initial task is to assist with installing fiberoptic
cable to bring high-speed Internet access to the entire island. His co-workers are older men who have also
relocated from Poland in order to support themselves and their family with a
well-paying job unavailable to them in their homeland. Eventually, Lucek crosses paths with Dara and
they embark on a steamy relationship.
Later, it is learned that the subcontractor for whom Lucek and his team
work is withholding their pay, causing many of his colleagues to immediately
stop work and return to Poland. With
Lucek now out of a job but deeply in love with Dara, will he be able to remain
in Lolland to sustain their relationship?
Review
If “Giraffe” is going anywhere (and there’s no guarantee
that it is), it’s in no particular hurry to get there. At only an hour and a half, the story takes
its time to get going; it is quite a while before the two lovers even meet each
other. It would seem that the director
is more concerned with the setup about the characters than their interaction
between each other – which is really what the movie should be about (at least
theoretically, anyway). An audience wants
to see a film about other people and you get the sense that this director
really just wanted to shoot a documentary – especially given that much of the
picture has that documentary-like quality.
“Giraffe” is only partially in English and therefore has a
heavy reliance on the use of subtitles.
Therein lies a rather significant quandary. Technically speaking, the main problem with “Giraffe”
has to do with its subtitles – specifically, the color. They are in white and can be exceedingly
difficult to read against a light background.
Why yellow isn’t the default choice of color for subtitles remains a
mystery; yellow is a color that can be read against either light or dark
backgrounds. Hopefully, the industry
will learn this lesson someday.
Following the movie, there was a stream of an interview with writer/director Anna Sofie Hartmann. There is a shot of a giraffe at the beginning of the motion picture and it’s never referenced again later on; Hartmann says that the title of her film came from a safari park located on the northern part of the island of Lolland – it has giraffes, elephants and rhinos. She was struck by the fact that since these animals are not in their natural habitat, it gave her the idea of what it would be like to live in a place where you don’t really belong or where you’re not originally from. Hartmann is originally from Lolland and has been fascinated with the changes she’s seen in her hometown over the past few years.
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