On the opening weekend of Lincoln Center’s French
Film Festival, I attended a screening of the romantic drama “Anaïs in Love” (AKA “Les
Amours d'Anaïs”)
Synopsis
When a young woman leaves her husband to be on her own, she
finds a new lover in an unexpected way – but will this relationship last?
Story
As she nears 30, Anaïs (Anaïs Demoustier) is still somewhat adrift
in life. Having recently left her
husband because she felt claustrophobic (both emotionally and physically in
their tiny flat), she rents a small apartment where she now lives by herself –
unfortunately, she is facing eviction because she’s overdue on the rent. In her graduate studies, she’s working on a
thesis about 17th century literature – and she’s late with that, as well. Life is a swirling vortex for her – and she
seems quite pleased about the situation.
The only negative touching her life right now is that fact that her
mother’s cancer has unexpectedly resurfaced.
Attending a friend’s party, Anaïs meets Daniel (Denis
Podalydès), a man old enough to be her father.
They strike up a chat and she discovers he left his first wife after a
dozen years for a woman who he’s also been with for the same amount of
time. His current wife, Emilie (Valeria
Bruni-Tedeschi), is a successful author – and a woman more age-appropriate for
him. Nevertheless, he and Anaïs embark
on an attempt at having an affair; although things don’t exactly work out the
way either expected, she winds up learning more about Emilie and becomes
increasingly fascinated by her. Anaïs’ mission now is to finally meet this
woman.
Anaïs attends a symposium where Emilie is speaking. She quickly befriends this woman without
letting her know about her trysts with Daniel.
Over time, they exchange a great deal of personal information with each
other and it soon becomes clear that they are developing a deeper and more
meaningful relationship. When the two finally get some time to be alone, this relationship quickly becomes physical. Suddenly, Daniel turns up and immediately
becomes suspicious – not to mention upset that Anaïs may be trying to blackmail
him. Will Anaïs and Emilie be able to
continue their affair or will Emilie return to Daniel?
There’s a tonal change in “Anaïs
in Love”, but it happens so organically that you almost don’t even notice until
the end. Anaïs starts
out as a carefree young woman who is virtually without responsibility – and
mostly shirks the few responsibilities she does have. But once she
develops feelings for Emilie, that all changes – she becomes more grounded,
more serious and more mature. Considering the fact that this is the
director’s first feature, it’s rather impressive that she was able to pull off
such a feat – it’s something that even more experienced filmmakers have a tough
time doing.
In watching the film, you can’t help but notice that Anaïs is engaging in this relationship with a woman more than 25 years older than she is while her own mother is dying of cancer. One might wonder if the relationship with Emilie is developing out of a sense of loss or a need for healing in some way; even before her mother is dead, she seems to be trying to replace her with a mature woman. Is it merely a coincidence? Perhaps. But it’s certainly one hell of a coincidence, especially when you consider the fact that Anaïs has only been in relationships with men up until this point.
After the screening, there was an interview with writer-director Charline Bourgeois-Tacquet. She said that there was very little in the way of rehearsals, except for one scene which took place on a beach, that had to be carefully choreographed with the Director Of Photography. Her use of color in the film came from her desire to shoot during the summer (which was also obviously complicated by Covid); Bourgeois-Tacquet chose summer because she wanted to make use of all the natural light outdoors. Anaïs is frequently seen running; the director equates the speed to the character’s own sense of disorientation – she doesn’t know what she wants and it isn’t until she gets involved in a serious relationship that she finally slows down.
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