Monday, October 03, 2022

"Master Gardener" -- Movie Review

 



On the opening weekend of The 60th New York Film Festival, I attended the North American Premiere of the new thriller by Paul Schrader, “Master Gardener”.

Synopsis

When a wealthy dowager with an extensive garden orders her horticulturalist to look after her grandniece, what impact will this have on everyone’s life, both professionally and personally?

Story

Norma Haverhill (Sigourney Weaver) owns a huge Louisiana mansion with an impressive garden that’s envied and admired by many in the area.  She takes pride in its upkeep but in reality, owes it all to her gardener Narvel Roth (Joel Edgerton) and his team of apprentices.  Narvel has worked for Norma for many years – and has engaged in an affair with his employer for almost as long.  That’s their arrangement and both seem quite comfortable with it, despite Norma’s naturally overbearing nature.  It seems that she considers Narvel her property almost in the same way as she views her home or garden. 

Narvel’s latest instructions are to work on the garden so that Norma can win recognition of first prize while raising money for charity.  This is not new for him, but now it comes with a catch – he has to hire Maya (Quintessa Swindell), Norma’s grandniece, as one of his apprentices; he is to teach the finer points of gardening to her so that she will develop something of a career.  Although Norma was never very close to Maya, she is doing it as a favor to her sister; Maya’s mother passed away and her life went into a tailspin shortly thereafter, turning to drugs and dropping out of school.  Hopefully, this will turn around the life of the 20-something. 

Maya is not the only one with a regrettable past.  Narvel, it turns out, spent time in prison; in his former life, he was a White Supremacist who murdered several people.  After turning over evidence to the authorities, he was given a lighter sentence and released early – he studied horticulture in order to have a legitimate way of making money and start a new life.  As a result, he can understand where Maya is coming from.  Although Maya turns into a good student, she loses her job -- Norma resents her presence when she believes Maya’s developing an attraction to Narvel.  But when Narvel learns that Maya’s former drug dealer is now making life difficult for her, can he intercede to save her life? 


Review

“Master Gardener” is the quintessence of Paul Schrader’s filmmaking; arguably the best he has ever done to date.  Dark undertones that are gradually revealed are perhaps the best part of Schrader’s storytelling ability. The screenplay has well-drawn characters who are clearly imperfect and are not proud of their past.  In their own way, they are seeking redemption; they realize that they cannot completely erase their past but they do control how they can change their future.  Who the protagonist is/are may not necessarily be obvious at the outset, but evolves through the course of the story.  There are some really great performances here, particularly by Weaver and Edgerton.

If you are looking for likeable characters, then “Master Gardener” may not be for you.  True to form, Schrader gives us an ominous story with characters of questionable moral codes.  Who among them are the least objectionable?  That’s where you find the one for whom you root.  The evolution of how the characters interact with each other is also quite fascinating:  the cool, aloof and imperious Norma has both a professional and inappropriately personal relationship with Narvel – one which she only feels comfortable having because of her power over him.  Thus her outrage when he develops an intimacy with someone else who lacks that kind of power.     

After the screening, there was a conversation with Schrader and cast members Sigourney Weaver and Joel Edgerton.  Schrader characterized “Master Gardener” as something of a fable – in other words, it’s not a story that could really happen – “don’t believe it, just imagine it” was his description.  He saw similarities between the character of Narvel Roth and Travis Bickle, from his screenplay “Taxi Driver”; both of them experience feelings of guilt and self-punishment because they have done wrong.  The film, he sees, has a life-enhancing conclusion without the specter of death or prison.  


Master Gardener (2022) on IMDb

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