This week at Lincoln
Center, I attended a special screening of the new Belgian drama “Close”, written and
directed by Lukas Dhont.
Synopsis
When a friendship between two boys abruptly ends, can one of
them come to terms with the cause?
Story
In the Flemish region of Belgium, Leo and Remi are a pair of
“tween” boys living their best life.
They always ride their bike together to and from school, sit next
to each other in their classes, sleep over at each other’s house – you get the
idea. But the two boys are quite
different from each other; Leo is a bit more outgoing while Remi is a bit of an
introvert – in addition, Leo is more of an athlete while Remi is a bit of an
intellect. Remi studies music and plays
the oboe for his school’s music group. Because
the two spend so much time together – largely to the exclusion of others – a number
of their classmates grow suspicious.
One day, Leo decides to join the school’s hockey team –
while he’s not exactly the best skater, he’s enthusiastic and enjoys both the
competition and camaraderie with his teammates.
Due to the fact that he’s now spending a considerable amount of time at hockey
practice and as a result developing a new set of friends, he finds himself
spending less and less time with Remi.
While Leo doesn’t recognize a change in their friendship, Remi, who is
something of a loner when not with Leo, certainly does notice the
difference. He is feeling ignored and believes
himself to be unwelcome in Leo’s new life.
After a class field trip for which Remi is noticeably absent,
Leo and his fellow students are shocked by some tragic news upon their return
to the school: Remi has died from an
apparent suicide. Leo is understandably
stunned at the loss of someone he perceived as his best friend. In retrospect, Leo tries to retrace their
friendship; towards the end, he does remember Remi seeming more distant and
less inclined to be part of Leo’s new circle.
Leo desperately tries to get on with his life but the distractions
disappear when he’s alone and turns introspective. Sophie, Remi’s mother, discovered her son in
his room. When Leo confronts Sophie, can
the two get closure with the loss of Remi?
Review
It might be thought that “Close” is a story about suicide or
coming of age or homosexual discovery in youth.
However, there may be another angle:
toxic masculinity, which can begin early in life. In this movie, the boys are taunted for their
tight-knit friendship – the taunts mostly come from other boys, but
interestingly, sometimes from girls, too (although occasionally in a much more nuanced
fashion). Regardless, it is certainly difficult
to watch. Some critics have observed
that one strike against the film is the fact that it has a somewhat
manipulative ending which detracts from the rest of the story; this is correct
and it is unfortunate.
Despite that, the performances are quite good, especially,
by Eden Dambrine, who plays Leo. This
young man is not a professional actor, which makes the portrayal all the more
remarkable. The story behind how he got
cast in “Close” is rather interesting; the director found him during a train
ride when the boy was talking to his friends.
By both his look and his behavior he thought that he would be perfect
for the role, so he introduced himself and gave him his business card; his
parents then brought him in for an audition and it became apparent that casting
him was a no-brainer. It turned out to
be an excellent choice.
There was an interview with director/writer Lukas Dhont
following the screening. Dhont said that
he got the original idea for the screenplay after reading a book called “Deep Secrets”, in which the author interviewed
about 150 boys in their early teen years, then followed-up with them five years
later. In the original interviews, the
author asked the boys about their friendships with other boys; the way in which
they described them was almost like love stories. During the later follow-up when the same boys
were age 17 or 18, they were asked the same question; it was discovered that at
this later point in their life, the boys didn’t allow themselves that same type
of emotional connection.
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