Wednesday, August 28, 2013

Chivas Royal Salute

 

Entrance2

In the sultry hot summer weather of a late August evening, what better way to relieve your customary torpor than to attend a Scotch tasting? OK, well, it wasn’t exactly the first thing that crossed my mind, either. But when I learned that the Scotch in question was Chivas, I was not exactly in a position to decline. Throw in the fact that they were also serving the ultra rare Royal Salute – which I had never even heard of before, much less tasted – and I’m there! So, it was with great anticipation that I headed to Union Square Wines & Spirits for a few drams of this famed brown spirit.

Punch1

Upon arrival, attendees were greeted with a most refreshing cocktail that I highly recommend – a very summery punch made with Chivas 12 year old and pineapple juice, peach juice and a splash of lemon juice served over ice in a wine glass containing various fruits (strawberries, blueberries and blackberries, on this evening) as a garnish. A real thirst-quencher, you taste a gentlest hint of the spirit, yet its sweetness is not so cloying as to induce puckering.

Menu

Between passed hors d'oeuvres and an extensive spread of cheese and crackers, we sampled Chivas 12 Years, their Gold Signature 18 Years, their 25 Years (which was not present on the original menu) and finished with Royal Salute. To commemorate the tasting, the store discounted all featured Chivas products 15%, although the 25 Years was not currently in stock and would have to be specially ordered (even with the discount, however, its $340 price tag was still a bit steep for the likes of yours truly).

RoyalSalute1

Chivas started making Royal Salute in 1953 to celebrate the coronation of Queen Elizabeth; it was decided to sell the expression as a 21 year old Scotch because the Queen herself was age 21 at the time she ascended to the throne. Marketed as a 21 year old Scotch, this means it is a blended Scotch which contains other Scotches that are aged at least 21 years; the oldest Scotch in the blend is aged between 40 to 45 years. It is sold in colored bottles – green, red or blue, although only the blue colored bottles are available here in The United States. The Royal Salute product line also comes in more expensive versions that are aged even longer – specifically, 38 years and 62 years.

21-25

On its own, Royal Salute 21 has something of a smoky, spicy flavor on the center of your palate; adding a little bit of water will bring out its citrus elements – grapefruit and lemon are those that are said to be frequently found. According to one of the company representatives, this is an excellent Scotch to pair with sushi, of all things!

Bottles1

For more information about Chivas tastings around the country, please be sure to register at the Web site The Chivas Brotherhood. Also, if you’d like to experience a tasting similar to this one, you might want to try contacting Chivas’ Brand Ambassador Peter H. Karras, who might just be able to hook you up with something not too far from where you’re located.

Sunday, August 04, 2013

“Lovelace” – Movie Review

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Thursday, August 01, 2013

“The Artist And The Model” – Movie Review

 

ArtistModel

This week in the final summer session of my movie class, we saw the Spanish drama, “The Artist And The Model”, starring Jean Rochefort and Claudia Cardinale.  

Synopsis

When the wife of an elderly artist brings home a young girl to work as his model, will this inspire his creativity or only serve to cause more problems for all involved?  

Story

During World War II, Marc Cros (Rochefort) is an elderly artist who lives in the French countryside with his wife Léa (Cardinale).  At this stage of his life, he is facing something of a professional challenge – although successful in his earlier days, he now feels that his best creative work is far behind him and that there is nothing left for him to do.  While in town shopping, Léa discovers Mercè (Aida Folch), a beautiful young woman who seems destitute.  A sympathetic Léa invites Mercè back to the house for lunch with her husband and together they learn that the girl recently fled Spain when Franco took over. 

Considering both her husband’s situation and this waif’s dilemma, Léa offers Mercè a job working as the artist’s model; Mercè gratefully accepts the offer and moves in to Marc’s studio.  With no experience as a professional model and unaccustomed to being naked in front of complete strangers, Mercè is extremely uncomfortable in her new role, which immediately irritates Marc, who must instruct her at every step of the way.  Eventually, though, Marc recognizes the beauty Lea saw in her – in fact, Mercè reminds them both of what Léa used to look like decades ago when she first posed for Marc.  Seeing her in this way now serves to fuel Marc’s creativity; he begins sketching her, painting her and in his grandest work of all, sculpting her likeness. 

Over time, Mercè learns how to become a model, albeit with great difficulty given that she has problems holding a pose for very long.  One night while taking a walk, she stumbles upon Pierre, a handsome young man who turns out to be an injured fighter in the underground.  Mercè brings him back to the studio where she can care for him.  However, upon the arrival of a German soldier writing a book on Marc, suspicions become aroused and Pierre realizes he must leave.  Will everyone be endangered at this point or will Marc be able to finish his sculpture?

Review

While I’m sure that most of the professional film critics will fall all over themselves with praise for “The Artist And The Model”, I’m going to be one of the amateurs who has to admit that this one really left me scratching my head wondering exactly what the hell I just watched.  The movie seems very muddled in the sense that there doesn’t appear to be a clear vision for a narrative tale that the filmmaker was trying to tell – it was really all over the place and quite unfocused.  Was this going to be a love story between the artist and the model which threatened his marriage?  Or was this going to be a suspenseful tale about defeating or evading the Nazis?  It seems as though the film couldn’t manage to make up its mind.

In addition to the clumsily-told story, I found much of the behavior of some of the characters rather confusing at times.  Why was Léa not jealous of Mercè’s youth and beauty?  Was she so magnanimous as to subvert her ego in the greater good of restoring her husband’s creative inspiration?  Why was the German soldier not more suspicious of these strangers whose presence was not completely explained?  Also, I found Marc’s narcissism as an artist a bit of a turn-off and why Mercè didn’t rebel at his grumpiness and leering will forever remain something of a mystery, I suppose. 

Prior to the screening, our instructor interviewed both Director Fernando Trueba and Aida Folch, who played the model.  Trueba talked a bit about how he got into film when he watched old Hollywood movies as a teenager; his first film was made when he was only 24 and it was quite successful.  Despite seeing the acclaim he received for his work, following its opening, Trueba’s father asked him if he had gotten this whole filmmaking thing out of his system and would pursue a real career.  Folch talked about getting the role for this movie.  Having worked with her on another film a few years before, Trueba called Folch and told her he was thinking of her for a part in this film, then inquired as to whether or not she spoke French.  Regrettably, she told him she did not, so he abruptly ended the conversation.  Folch then moved to France for a number of months and upon returning to Spain, contacted Trueba and showed him her new-found proficiency in French, proving that she was now capable of the role he had in mind for her.

 

The Artist and the Model (2012) on IMDb 6.8/10205 votes