This week, I streamed a screening from A24 of the new horror mystery, “Lamb”, starring Noomi
Rapace.
Synopsis
When childless farmers adopt a newborn lamb and raise it as a human child, what price must they pay for defying nature?
Story
Maria and her husband Ingvar (Rapace and Hilmir Snær
Guðnason) own a farm in a remote, mountainous region of rural Iceland. Without children, they spend their time and
attention caring for their flock of sheep.
Except for the occasional roar of their tractor or the bleating of the
sheep, it’s incredibly quiet there. No
deliveries, no visitors, nothing. Yet
the couple seem quite content with their life – at least ostensibly. The weather there is frequently chilly and
damp and gray, it can tend to be downright depressing. These are people of strong spirit, so there are
no complaints.
Occasionally, Maria must play the role of midwife when one
of the sheep is pregnant. One day during
a peculiarly difficult birthing process, an unexpected event occurs: the baby that is born has both human and
sheep body parts. It has the head of a lamb
but the rest of the body is that of a baby human in form. Both Maria and Ingvar are at a loss because
they’ve never seen anything like this before.
Maria decides to bring the newborn into their house and proceeds to
bottle feed the baby. After a while of
caring for it, they begin to bond.
Ingvar doesn’t interfere – instead, he buys into his wife’s fantasy and
also takes on the role of father to this lamb – a girl they name Ada.
Eventually, they are paid a visit by Ingvar’s brother, Petur (Björn Hlynur Haraldsson) under some rather suspicious circumstances. Petur is nothing less than shocked to find his brother and sister-in-law caring for Ada as if it was a normal situation. He tries to snap them out of whatever spell they are in, but they shut him down completely. Soon, Petur decides to play along, if for no other reason than he needs a place to stay for a while. Not long after, he manages to ruin the arrangement when he tries to come on to Maria; realizing he’s overstayed his welcome, she drops him off where he can catch a bus into town, giving him some money. But upon her return, how will Maria deal with the horrifying discovery at the farm?
Review
If you think that a movie about a pair of Icelandic
shepherds wouldn’t be appropriate Halloween fare, guess again. “Lamb” is an unusually spooky film with
plenty of unexpected twists and turns. The
theme of “Lamb” appears to be something along the lines of, “if you mess with
nature then ultimately, nature will get its revenge on you”. “Lamb” is an unusual motion picture in many
ways but also because it feels like it’s multi-genre – science fiction, horror
and folklore all wrapped up into a single story. For that alone, it deserves kudos for the
unique blending of genres – something that’s rarely seen because it’s difficult
to pull off, especially when you consider that this is a first-time feature
film director.
One thing that’s noticeably problematic about “Lamb” is the
fact that it is excruciatingly slowly paced.
This is of particular issue in the beginning because the movie takes its
own sweet time getting started and you begin to wonder where it’s going or even
if you’re watching a documentary about shepherds. One the plus side, doing this is very filmic
in the sense that it is all visual and there is precious little in the way of
dialog. That said, the setup isn’t terribly
foreboding; there’s nothing to indicate that this rustic setting will turn
deadly or that these farmers are bad people who do something worth being
punished.
The mountainous Icelandic countryside is beautiful and shot with both admiration and respect. Depending on how you feel about such things, you may or may not be envious of where the couple lives – after all, there’s so much in the way of empty land around them they have no neighbors. You get the sense that a trip into town to shop for some essentials would be a major excursion that they would not make often because it would be so time consuming. Perhaps in that regard, their isolation is part of their undoing; it takes the brother-in-law’s visit to shock them back into reality and even then, their desperation for a child overrides that concern.